J.S. BACH | ||||
Suite n° 3 | ||||
156 | 22.X.1948 | BPO (Berliner Philharmonisches Orchester) | ||
158 | 24.X.1948 | BPO | ||
Suite n° 3, Aria | ||||
4 | 13.VI.1929 | BPO | ||
Brandenburgisches Konzert n° 3 | ||||
19 | 1930 | BPO | ||
254 | 31.VIII.1950 | WP (Wiener Philharmoniker) | ||
Brandenburgisches Konzert n° 5 | ||||
62 | 21/22.XII.1940 | WP | ||
255 | 31.VIII.1950 | WP | ||
Matthäus Passion | ||||
230 | 2.V.1950 | Orchestre Teatro Colon | ||
335 | 9.IV.1952 | WP (extraits) | ||
444 | 14/17.IV.1954 | WP | ||
B. Bartok | ||||
Concerto pour violon n° 2 | ||||
412 | 12/13.IX.1953 | Philharmonia Orchestra | ||
L. van Beethoven | ||||
Symphonie n° 1 | ||||
245 | 13.VII.1950 | Concertgebouw Orkest | ||
347 | 24/28.XI.1952 | WP | ||
349 | 30.XI.1952 | WP | ||
441 | 30.III.1954 | SO des Süddeutschen Rundfunks | ||
474 | 19.IX.1954 | BPO | ||
Symphonie n° 2 | ||||
154 | 3.X.1948 | WP | ||
Symphonie n° 3 | ||||
121 | 19.XII.1944 | WP | ||
146 | XI.1947 | WP | ||
243 | 20.VI.1950 | BPO | ||
256 | 31.VIII.1950 | WP | ||
315 | 19.I.1952 | RAI Roma | ||
348 | 26/27.XI.1952 | WP | ||
351 | 30.XI.1952 | WP | ||
356 | 7.XII.1952 | BPO | ||
359 | 8.XII.1952 | BPO | ||
404 | 26.VIII.1953 | Orchestre Festival de Lucerne | ||
411 | 4.IX.1953 | WP | ||
Symphonie n° 4 | ||||
90 | 27/30.VI.1943 | BPO | ||
169 | 26/29.I.1949 | Philharmonie de Munich | ||
214 | 25/30.I.1950 | WP | ||
352 | 1/2.XII.1952 | WP | ||
410 | 4.IX.1953 | WP | ||
Symphonie n° 5 | ||||
2 | 16 & 30.X.1926 | BPO | ||
46 | 7.X.1937 | BPO | ||
59 | 13.IX.1939 | BPO | ||
92 | 27/30.VI.1943 | BPO | ||
126 | 25.V.1947 | BPO | ||
128 | 27.V.1947 | BPO | ||
262 | 25.IX.1950 | WP | ||
264 | 1.X.1950 | WP | ||
312 | 10.I.1952 | RAI Roma | ||
424 | 28.II.1954 | WP | ||
453 | 4.V.1954 | BPO | ||
462 | 23.V.1954 | BPO | ||
Symphonie n° 6 | ||||
105 | 22/23.XII.1943 | WP | ||
110 | 20/22.III.1944 | BPO | ||
125 | 25.V.1947 | BPO | ||
311 | 10.I.1952 | RAI Roma | ||
346 | 24/25.XI.1952 | WP | ||
458 | 15.V.1954 | BPO | ||
461 | 23.V.1954 | BPO | ||
Symphonie n° 7 | ||||
95 | 31.X-3.XI.1943 | BPO | ||
165 | 13.XI.1948 | Philharmonie de Stockholm | ||
213 | 18/19.I.1950 | WP | ||
292 | 15.VIII.1951 | Orchestre Festival de Lucerne (répétition) | ||
371 | 14.IV.1953 | BPO | ||
473 | 30.VIII.1954 | WP | ||
Symphonie n° 8 | ||||
163 | 13.XI.1948 | Philharmonie de Stockholm | ||
368 | 14.IV.1953 | BPO | ||
471 | 30.VIII.1954 | WP | ||
Symphonie n° 9 | ||||
41 | 1.V.1937 | BPO | ||
71 | 22/24.III.1942 | BPO | ||
100 | 8.XII.1943 | Philharmonie de Stockholm | ||
189 | 28.V.1949 | Orchestre Scala de Milan | ||
267 | 6/10.I.1951 | WP | ||
288 | 29.VII.1951 | Orchestre Festival de Bayreuth | ||
296 | 31.VIII.1951 | WP | ||
320 | 3.II.1952 | WP | ||
378 | 31.V.1953 | WP | ||
466 | 8.VIII.1954 | Orchestre Festival de Bayreuth (répétition) | ||
467 | 9.VIII.1954 | Orchestre Festival de Bayreuth | ||
469 | 22.VIII.1954 | Philharmonia Orchestra | ||
Concerto pour piano n° 1 | ||||
133 | 27.VIII.1947 | Orchestre Festival de Lucerne / Aeschbacher | ||
Concerto pour piano n° 4 | ||||
94 | 31.X-3.XI.1943 | BPO / Hansen | ||
314 | 19.I.1952 | RAI Roma / Scarpini | ||
Concerto pour piano n° 5 | ||||
274 | 19/20.II.1951 | Philharmonia Orchestra / Fischer | ||
Concerto pour violon | ||||
106 | 9/12.I.1944 | BPO / Röhn | ||
136 | 28/29.VIII.1947 | Orchestre Festival de Lucerne / Menuhin | ||
142 | 30.IX.1947 | BPO / Menuhin | ||
365 | 7/8.IV.1953 | Philharmonia Orchestra / Menuhin | ||
376 | 18.V.1953 | BPO / Schneiderhan | ||
Fidelio (Intégrale) | ||||
152 | 3.VIII.1948 | WP (Salzburg) | ||
195 | 3.VIII.1949 | WP (Salzburg) | ||
252 | 5/22.VIII.1950 | WP | ||
416 | 12.X.1953 | WP | ||
417 | 13/17.X.1953 | WP | ||
Fidelio (extraits) | ||||
66 | 7.I.1942 | Opéra de Vienne | ||
76 | 4.XI.1942 | Opéra de Vienne | ||
Quatuor n° 13, Cavatine | ||||
61 | 15.X.1940 | BPO | ||
Leonore II | ||||
129 | 9.VI.1947 | Hamburger Philharmonisches Staatsorchester | ||
201 | 18.X.1949 | BPO | ||
237 | 11.VI.1950 | BPO (répétition) | ||
442 | 4/5.IV.1954 | BPO | ||
Leonore III | ||||
114 | 2/3.VI.1944 | WP | ||
134 | 27.VIII.1947 | Orchestre Festival de Lucerne | ||
134 | 12.XI.1948 | Philharmonie de Stockholm (répétition) | ||
164 | 13.XI.1948 | Philharmonie de Stockholm | ||
246 | 13.VII.1950 | Concertgebouw Orkest | ||
326 | 3.III.1952 | RAI Torino | ||
Egmont | ||||
26 | 1933 | BPO | ||
127 | 27.V.1947 | BPO | ||
153 | 24.VII.1948 | WP | ||
409 | 4.IX.1953 | WP | ||
Coriolan | ||||
91 | 27/30.VI.1943 | BPO | ||
148 | 25.XI.1947 | WP | ||
305 | 29.X.1951 | WP | ||
Grosse Fuge | ||||
321 | 10.II.1952 | BPO | ||
472 | 30.VIII.1954 | WP | ||
Romance pour violon n° 1 | ||||
366 | 9.IV.1953 | Philharmonia Orchestra / Menuhin | ||
Romance pour violon n° 2 | ||||
367 | 9.IV.1953 | Philharmonia Orchestra / Menuhin | ||
H. Berlioz | ||||
La Damnation de Faust (intégrale) | ||||
253 | 26 ou 27.VIII.1950 | Orchestre Festival de Lucerne | ||
La Damnation de Faust, Marche Hongroise | ||||
16 | 1930 | BPO | ||
182 | 31.III.1949 | WP | ||
277 | IV.1951 | BPO | ||
B. Blacher | ||||
Concertante Musik | ||||
447 | 27.IV.1954 | BPO | ||
J. Brahms | ||||
Symphonie n° 1 | ||||
122 | 23.I.1945 | BPO (4ème mouvement) | ||
131 | 13.VIII.1947 | WP | ||
135 | 27.VIII.1947 | Orchestre Festival de Lucerne | ||
147 | 17/25.XI.1947 | WP | ||
247 | 13.VII.1950 | Concertgebouw Orkest | ||
304 | 27.X.1951 | NDR Hamburg | ||
319 | 27.I.1952 | WP | ||
324 | 10.II.1952 | BPO | ||
330 | 7.III.1952 | RAI Torino | ||
377 | 18.V.1953 | BPO | ||
436 | 21.III.1954 | Orchestre Symphonique du Venezuela | ||
Symphonie n° 2 | ||||
124 | 28/29.I.1945 | WP | ||
140 | 16.IX.1947 | BPO (répétition) | ||
150 | 24/25.III.1948 | London Philharmonic Orchestra | ||
336 | 7.V.1952 | BPO | ||
Symphonie n° 3 | ||||
205 | 18.XII.1949 | BPO | ||
278 | IV.1951 | BPO | ||
446 | 27.IV.1954 | BPO | ||
455 | 14.V.1954 | BPO | ||
Symphonie n° 4 | ||||
103 | 12/15.XII.1943 | BPO | ||
157 | 22.X.1948 | BPO | ||
160 | 24.X.1948 | BPO | ||
192 | 10.VI.1949 | BPO | ||
251 | 15.VIII.1950 | WP | ||
299 | 21.X.1951 | WP | ||
Ein deutsches Requiem | ||||
132 | 20.VIII.1947 | Orchestre Festival de Lucerne (Schwarzkopf, Hotter) | ||
166 | 19.XI.1948 | Philharmonie de Stockholm (Sönnerstedt, Lindberg-Torlind) | ||
273 | 25.I.1951 | WP (Seefried, Fischer-Dieskau) | ||
Concerto pour violon | ||||
200 | 29/31.VIII.1949 | Orchestre Festival de Lucerne / Menuhin | ||
329 | 7.III.1952 | RAI Torino / De Vito | ||
Double concerto pour violon et violoncelle | ||||
198 | 24.VIII.1949 | Orchestre Festival de Lucerne (Schneiderhan, Mainardi) | ||
318 | 27.I.1952 | WP (Boskowsky, Brabec) | ||
Concerto pour piano n° 2 | ||||
77 | 8/9.XI.1942 | BPO / Fischer | ||
102 | 12/15.XII.1943 | BPO / Aeschbacher | ||
Variationen über ein Thema von Haydn | ||||
101 | 12/15.XII.1943 | BPO | ||
104 | 18/23.XII.1943 | WP | ||
180 | 30.III-2.IV.1949 | WP | ||
241 | 20.VI.1950 | BPO | ||
303 | 27.X.1951 | NDR Hamburg | ||
317 | 27.I.1952 | WP | ||
451 | 4.V.1954 | BPO | ||
Danse hongroise n° 1 | ||||
7 | VIII.1929 | BPO | ||
21 | 1930 | BPO | ||
187 | 4.IV.1949 | WP | ||
Danse hongroise n° 3 | ||||
185 | 4.IV.1949 | WP | ||
Danse hongroise n° 10 | ||||
22 | 1930 | BPO | ||
186 | 4.IV.1949 | WP | ||
A. Bruckner | ||||
Symphonie n° 4 | ||||
64 | 14/16.XII.1941 | BPO (extraits) | ||
300 | 22.X.1951 | WP | ||
307 | 29.X.1951 | WP | ||
Symphonie n° 5 | ||||
73 | 25/28.X.1942 | BPO | ||
295 | 19.VIII.1951 | WP | ||
Symphonie n° 6 | ||||
98 | 13/16.XI.1943 | BPO (incomplet) | ||
Symphonie n° 7 | ||||
63 | 2.II.1941 | BPO (extraits) | ||
72 | 1.IV.1942 | BPO (adagio) | ||
203 | 18.X.1949 | BPO | ||
279 | 23.IV.1951 | BPO | ||
284 | 1.V.1951 | BPO | ||
Symphonie n° 8 | ||||
119 | 17.X.1944 | WP | ||
177 | 14.III.1949 | BPO | ||
178 | 15.III.1949 | BPO | ||
443 | 10.IV.1954 | WP | ||
Symphonie n° 9 | ||||
117 | 7.X.1944 | BPO | ||
J. M. Castro | ||||
Obertura para una opera comica | ||||
231 | 5.V.1950 | Orchestre Teatro Colon | ||
L. Cherubini | ||||
Anacreon | ||||
268 | 11.I.1951 | WP | ||
C. Debussy | ||||
Deux nocturnes | ||||
285 | 1.V.1951 | BPO | ||
A. Dvorak | ||||
Danse slave n° 3 | ||||
18 | 1930 | BPO | ||
W. Fortner | ||||
Concerto pour violon | ||||
206 | 18.XII.1949 | BPO / Taschner | ||
C. Franck | ||||
Symphonie en ré mineur | ||||
123 | 28.I.1945 | WP | ||
423 | 14/15.XII.1953 | WP | ||
W. Furtwängler | ||||
Symphonisches Konzert für Klavier und Orchester | ||||
56 | 19.I.1939 | BPO / Fischer | ||
57 | 25.IV.1939 | BPO / Fischer (2ème mouvement) | ||
Symphonie n° 2 | ||||
149 | 22.II.1948 | BPO (répétition) | ||
155 | 18.X.1948 | WP | ||
310 | 22.XI-4.XII.1951 | BPO | ||
361 | 15.XII.1952 | SO des Hessichen Rundfunks | ||
362 | 15.I.1953 | BPO | ||
364 | 22.II.1953 | WP | ||
439 | 30.III.1954 | SO des Süddeutschen Rundfunks | ||
C.W. Gluck | ||||
Alceste | ||||
75 | 28.X.1942 | BPO | ||
297 & 298 | 4/5.IX.1951 | BPO | ||
432 | 8.III.1954 | WP | ||
Iphigénie en Aulide | ||||
360 | 15.XII.1952 | SO des Hessischen Rundfunks | ||
363 | 22.II.1953 | WP | ||
433 | 8.III.1954 | WP | ||
Orphée et Eurydice (intégrale) | ||||
276 | 13.IV.1951 | Scala de Milan | ||
G.F. Haendel | ||||
Concerto grosso n° 10 | ||||
109 | 7/8.II.1944 | BPO | ||
229 | 23.IV.1950 | Orchestre Teatro Colon | ||
435 | 21.III.1954 | Orchestre Symphonique du Venezuela | ||
Concerto grosso n° 11 | ||||
209 | 8/10.I.1950 | Philharmonie de Munich | ||
445 | 27.IV.1954 | BPO | ||
Concerto grosso n° 16 | ||||
240 | 20.VI.1950 | BPO | ||
Concerto Grosso n° 5 | ||||
58 | 13.IX.1939 | BPO | ||
J. Haydn | ||||
Symphonie n° 98 | ||||
301 | 22.X.1951 | WP | ||
308 | 4/5.XII.1951 | BPO | ||
325 | 3.III.1952 | RAI Torino | ||
Symphonie n° 94 | ||||
259 | 25.IX.1950 | WP | ||
269 | 11/17.I.1951 | WP | ||
Symphonie n° 104 | ||||
228 | 14.IV.1950 | Orchestre Teatro Colon | ||
P. Hindemith | ||||
Konzertstück | ||||
23 | 28.III.1930 | BPO | ||
Sinfonische Metamorphosen | ||||
138 | 16.IX.1947 | BPO | ||
Konzert für Orchester | ||||
242 | 20.VI.1950 | BPO | ||
280 | IV.1951 | BPO | ||
Die Harmonie der Welt | ||||
355 | 7.XII.1952 | BPO | ||
358 | 8.XII.1952 | BPO | ||
407 | 30.VIII.1953 | WP | ||
K. Höller | ||||
Concerto pour violoncelle n° 2 | ||||
202 | 18.X.1949 | BPO / Hoelscher | ||
A. Honegger | ||||
Mouvement Symphonique n° 3 | ||||
322 | 10.II.1952 | BPO | ||
F. Liszt | ||||
Les Préludes | ||||
428 | 3.III.1954 | WP | ||
G. Mahler | ||||
Lieder eines fahrenden Gesellen | ||||
294 | 19.VIII.1951 | WP / Fischer-Diskau | ||
345 | 24/25.VI.1952 | Philharmonia Orchestra / Fischer-Dieskau | ||
350 | 30.XI.1952 | WP / Poell | ||
F. Mendelssohn | ||||
Die Hebriden | ||||
14 & 15 | 1930 | BPO | ||
167 | 7.XII.1948 | WP | ||
172 | 15.II.1949 | WP | ||
293 | 19.VIII.1951 | WP | ||
Concerto pour violon | ||||
333 | 11.III.1952 | RAI Torino / De Vito | ||
337 | 26.V.1952 | BPO / Menuhin | ||
Ein Sommernachtstraum | ||||
3 | 13.VI.1929 | BPO | ||
141 | 30.IX.1947 | BPO | ||
W.A. Mozart | ||||
Le nozze di Figaro | ||||
27 | 1933 | BPO (ouverture) | ||
380 | 11.VIII.1953 | Salzburg (Intégrale) | ||
Die Entführung aus dem Serail | ||||
28 | 1933 | BPO (Ouverture) | ||
Don Giovanni | ||||
248 | 27.VII.1950 | Salzburg | ||
249 | Juillet-août 1950 | Salzburg | ||
379 | 27.VII.1953 | Salzburg | ||
465 | 3.VIII.1954 | Salzburg | ||
468 | 20.VIII.1954 | Salzburg (film) | ||
Die Zauberflöte | ||||
194 | 27.VII.1949 | Salzburg | ||
223 | 3.II.1950 | Salzburg (2 airs par W. Lipp) | ||
289 | 6.VIII.1951 | Salzburg | ||
Sérénade n° 10 | ||||
145 | Nov.-Déc. 1947 | WP | ||
Sérénade n° 13 | ||||
39 | 28.XII.1936 | BPO | ||
183 | 1.IV.1949 | WP | ||
Symphonie n° 39 | ||||
108 | 7.II.1944 | BPO | ||
118 | 7.X.1944 | BPO | ||
Symphonie n° 40 | ||||
115 | 2/3.VI.1944 | WP | ||
168 | 7/8.XII.1948 | WP | ||
171 | 8.II.1949 | WP | ||
191 | 10.VI.1949 | BPO | ||
Concerto pour piano n° 22 | ||||
316 | 25.I.1952 | WP / Badura-Skoda | ||
Concerto pour piano n° 10 | ||||
170 | 8.II.1949 | WP / Bella, Badura-Skoda | ||
Concerto pour piano n° 20 | ||||
459 | 15.V.1954 | BPO / Lefebure | ||
O. Nicolai | ||||
Die lustigen Weiber von Windsor | ||||
270 | 18.I.1951 | WP (Ouverture) | ||
E. Pepping | ||||
Symphonie n° 2 | ||||
96 | 31.X-3.XI.1943 | BPO | ||
H. Pfitzner | ||||
Palestrina, préludes | ||||
190 | 10.VI.1949 | BPO | ||
Symphonie op. 46 | ||||
196 | 7.VIII.1949 | WP | ||
M. Ravel | ||||
Daphnis et Chloë, Suites 1 et 2 | ||||
112 & 113 | 20/22.III.1944 | BPO | ||
Valses nobles et sentimentales | ||||
372 | 16.IV.1953 | BPO (avec répétition) | ||
Rapsodie espagnole | ||||
302 | 22.X.1951 | BP | ||
327 | 3.III.1952 | RAI Torino | ||
G. Rossini | ||||
Il barbiere di Siviglia | ||||
29 | 1935 | BPO (ouverture) | ||
La gazza ladra | ||||
20 | 1930 | BPO | ||
F. Schubert | ||||
Rosamunde (ouverture) | ||||
11 | 1930 | BPO | ||
265 | 3.I.1951 | WP | ||
331 | 11.III.1952 | RAI Torino | ||
413 | 15.IX.1953 | BPO | ||
Rosamunde, musique de ballet n° 2 | ||||
5 | 13.VI.1929 | BPO | ||
220 | 2. II.1950 | WP | ||
Rosamunde, Entracte n° 3 | ||||
6 | 13.VI.1929 | BPO | ||
116 | 2/3.VI.1944 | WP | ||
221 | 2.II.1950 | WP | ||
Rosamunde, extraits | ||||
232 | 5.V.1950 | Orchestre Teatro Colon | ||
Symphonie n° 8 | ||||
87 | 12.V.1943 | WP (incomplet) | ||
120 | 12.XII.1944 | BPO | ||
159 | 24.X.1948 | BPO | ||
210 | 19/21.I.1950 | WP | ||
263 | 1.X.1950 | WP | ||
323 | 10.II.1952 | BPO | ||
326 | 11.III.1952 | RAI Torino | ||
414 | 15.IX.1953 | BPO | ||
452 | 4.V.1954 | BPO | ||
Symphonie n° 9 | ||||
82 | 6/8.XII.1942 | BPO | ||
88 | 12.V.1943 | WP | ||
239 | 18.VI.1950 | BPO | ||
309 | 27/28.XI-2/4.XII.1951 | BPO | ||
408 | 30.VIII.1953 | WP | ||
415 | 15.IX.1953 | BPO | ||
H. Schubert | ||||
Hymnisches Konzert | ||||
83 | 6/8.XII.1942 | BPO / Berger, Ludwig | ||
R. Schumann | ||||
Symphonie n° 1 | ||||
306 | 29.X.1951 | WP | ||
Symphonie n° 4 | ||||
374 | 14.V.1953 | BPO | ||
403 | 26.VIII.1953 | Orchestre du Festival de Lucerne | ||
Concerto pour piano | ||||
70 | 1/3.III.1942 | BPO / Gieseking | ||
Concerto pour violoncelle | ||||
74 | 25/28.X.1942 | BPO / Machula | ||
99 | 13/16.XI.1943 | BPO / Fournier (incomplet) | ||
Manfred (ouverture) | ||||
204 | 18.XII.1949 | BPO | ||
272 | 24/25.I.1951 | WP | ||
J. Sibelius | ||||
En Saga | ||||
86 | 7/8.II.1943 | BPO | ||
260 | 25.IX.1950 | WP | ||
Concerto pour violon | ||||
85 | 7/8.II.1943 | BPO / Kulenkampff | ||
B. Smetana | ||||
La Moldau | ||||
271 | 24.I.1951 | WP | ||
J. Strauss | ||||
Die Fledermaus (ouverture) | ||||
40 | 28.XII.1936 | BPO | ||
Pizzicato polka | ||||
222 | 3.II.1950 | WP | ||
Kaiserwalzer | ||||
89 | 12.V.1943 | WP (incomplet) | ||
212 | 24.I.1950 | WP | ||
R. Strauss | ||||
Don Juan | ||||
67 | 15.II.1942 | BPO | ||
79 | 25.XI.1942 | Philharmonie de Stockholm | ||
139 | 16.IX.1947 | BPO | ||
261 | 25.IX.1950 | WP | ||
286 | 1.V.1951 | BPO | ||
426 | 2/3.III.1943 | WP | ||
437 | 21.III.1954 | Orchestre Symphonique du Venezuela | ||
448 | 27.IV.1954 | BPO | ||
Till Eulenspiegels lustige Streiche | ||||
12 & 13 | 1930 | BPO (avec répétition) | ||
97 | 13/16.XI.1943 | BPO | ||
369 | 14.IV.1953 | BPO | ||
427 | 3.III.1954 | WP | ||
456 | 14.V.1954 | BPO | ||
460 | 15.V.1954 | BPO | ||
Metamorphosen | ||||
144 | 27.X.1947 | BPO | ||
Vier letzte Lieder | ||||
233 | 22.V.1950 | Philharmonia Orchestra / Flagstad | ||
Sinfonia domestica | ||||
107 | 9/12.I.1944 | BPO | ||
Tod und Verklärung | ||||
130 | 9.VI.1947 | Hamburger Philharmonisches Staatsorchester | ||
211 | 21/24.I.1950 | WP | ||
328 | 3.III.1952 | RAI Torino | ||
4 lieder | ||||
68 | 15.II.1942 | BPO / Anders | ||
I. Strawinsky | ||||
Symphonie en trois mouvements | ||||
250 | 15.VIII.1950 | WP | ||
Le baiser de la fée | ||||
375 | 18.V.1953 | BPO | ||
P. Tchaïkowsky | ||||
Symphonie n° 4 | ||||
266 | 4/16.I.1951 | WP | ||
Symphonie n° 5 | ||||
342 | 6.VI.1952 | RAI Torino | ||
Symphonie n° 6 | ||||
55 | 25/27.X.1938 | BPO | ||
281 | IV.1951 | BPO | ||
Sérénade pour cordes | ||||
218 & 219 | 2.II.1950 | WP (valse et finale) | ||
G. Verdi | ||||
Othello (intégrale) | ||||
290 | 7.VIII.1951 | Salzburg | ||
R. Wagner | ||||
Lohengrin (prélude) | ||||
8 | 1930 | BPO | ||
137 | 30.VIII.1947 | Orchestre Festival de Lucerne | ||
199 | 29.VIII.1949 | Orchestre Festival de Lucerne | ||
429 | 4.III.1954 | WP | ||
Lohengrin (extraits) | ||||
38 | 19.VII.1936 | Bayreuth | ||
Götterdämmerung (intégrale) | ||||
227 | IV.1950 | Scala de Milan | ||
421 | XI.1953 | RAI Roma | ||
Götterdämmerung (extraits) | ||||
45 | 1.VI.1937 | Covent Garden | ||
53 | 7.VI.1938 | Covent Garden | ||
338 | 31.V.1952 | RAI Roma (acte III) | ||
Götterdämmerung (Trauermusik) | ||||
25 | 1933 | BPO | ||
175 | 23.II.1949 | WP | ||
207 | 19.XII.1949 | BPO | ||
215 | 31.I.1950 | WP | ||
425 | 2.III.1954 | WP | ||
Götterdämmerung (Siegfrieds Rheinfahrt) | ||||
175 | 23.II.1949 | WP | ||
235 | 22.V.1950 | Philharmonia Orchestra | ||
341 | 6.VI.1952 | RAI Torino | ||
434 | 8.III.1954 | WP | ||
Götterdämmerung ("Starke Scheite schichtet mir dort") | ||||
151 | 26.III.1948 | Philharmonia Orchestra / Flagstad | ||
236 | 22.V.1950 | Philharmonia Orchestra / Flagstad | ||
344 | 23.VI.1952 | Philharmonia Orchestra / Flagstad | ||
Tannhäuser (ouverture) | ||||
174 | 17.II.1949 | WP | ||
287 | 1.V.1951 | BPO | ||
353 | 2/3.XII.1952 | WP | ||
438 | 21.III.1954 | Orchestre Symphonique du Venezuela | ||
Tannhäuser (extraits) | ||||
32 & 33 | 13.X.1935 | Opéra de Vienne | ||
34 | 15.X.1935 | Opéra de Vienne | ||
35 & 36 | 18.X.1935 | Opéra de Vienne | ||
37 | 9.I.1936 | Opéra de Vienne | ||
Die Walküre (intégrale) | ||||
225 | III.1950 | Scala de Milan | ||
419 | XI-XII.1953 | RAI Roma | ||
476 | IX-X.1954 | WP | ||
Die Walküre (extraits) | ||||
43 | 26.V.1937 | Covent Garden (Acte III) | ||
52 | 1.VI.1938 | Covent Garden (Acte II, scène I) | ||
60 | 29.XI.1939 | Opéra de Vienne | ||
313 | 14.I.1952 | RAI Roma (Acte I) | ||
Die Walküre, Walkürenritt | ||||
181 | 31.III.1949 | WP | ||
Der Rheingold (intégrale) | ||||
224 | III.1950 | Scala de Milan | ||
418 | 26.X.1953 | RAI Roma | ||
Der Rheingold (extraits) | ||||
42 | 24.V.1937 | Covent Garden | ||
Siegfried (intégrale) | ||||
226 | III.1950 | Scala de Milan | ||
420 | XI.1953 | RAI Roma | ||
Siegfried (extraits) | ||||
44 | 28.V.1937 | Covent Garden | ||
Tristan und Isolde (intégrale) | ||||
343 | 10/22.VI.1952 | Philharmonia Orchestra | ||
Tristan und Isolde (Vorspiel und Isoldes Liebestod) | ||||
9 & 10 | 1930 | BPO | ||
48 & 49 | 11.II.1938 | BPO | ||
78 | 8/9.XI.1942 | BPO | ||
80 & 81 | 25.XI.1942 | Philharmonie de Stockholm | ||
234 | 22.V.1950 | Philharmonia Orchestra | ||
334 | 11.III.1952 | RAI Torino | ||
449 | 27.IV.1954 | BPO | ||
457 | 14.V.1954 | BPO | ||
Tristan und Isolde (extraits) | ||||
65 | 25.XII.1941 | Opéra de Vienne | ||
84 | 2.I.1943 | Opéra de Vienne | ||
143 | 3.X.1947 | Staatskapelle Berlin (Actes II et III) | ||
Die Meistersinger von Nürnberg (intégrale) | ||||
93 | 15.VII.1943 | Bayreuth | ||
Die Meistersinger von Nürnberg (Prélude Acte I) | ||||
69 | 26.II.1942 | BPO | ||
184 | 1/4.IV.1949 | WP | ||
208 | 19.XII.1949 | BPO | ||
Die Meistersinger von Nürnberg (Prélude Acte III) | ||||
216 | 1.II.1950 | WP | ||
Die Meistersinger von Nürnberg (Tanz der Lehrbuben) | ||||
188 | 4.IV.1949 | WP | ||
Die Meistersinger von Nürnberg (extraits) | ||||
47 | 25.XI.1937 | Opéra de Vienne | ||
54 | 5.IX.1938 | WP à Nuremberg (incomplet) | ||
Parsifal (prélude) | ||||
50 | 15.III.1938 | BPO | ||
Parsifal (Karfreitagszauber) | ||||
51 | 15.III.1938 | BPO | ||
282 | 25.IV.1951 | BPO | ||
Siegfried Idyll | ||||
173 | 16/17.II.1949 | WP | ||
340 | 6.VI.1952 | RAI Torino | ||
Der fliegende Holländer (ouverture) | ||||
179 | 30/31.III.1949 | WP | ||
339 | 6.VI.1952 | RAI Torino | ||
C.M. von Weber | ||||
Der Freischüz (intégrale) | ||||
463 | 26.VII.1954 | Salzburg | ||
Der Freischütz (ouverture) | ||||
1 | 16 & 30.X.1926 | BPO | ||
30 | 1935 | BPO | ||
111 | 20/22.III.1944 | BPO | ||
283 | 20.IV.1951 | BPO | ||
354 | 7.XII.1952 | BPO | ||
357 | 8.XII.1952 | BPO | ||
430 | 5/6.III.1954 | WP | ||
Der Freischütz (prélude acte III) | ||||
31 | 1935 | BPO | ||
Aufforderung zum Tanz | ||||
24 | 1932 | BPO | ||
Euryanthe (ouverture) | ||||
431 | 6.III.1954 | WP | ||
450 | 4.V.1954 | BPO | ||
454 | 14.V.1954 | BPO | ||
Oberon (ouverture) | ||||
217 | 1.II.1950 | WP | ||
H. Wolf | ||||
22 Lieder | ||||
381-402 | 12.VIII.1953 | Salzburg (Schwarzkopf et Furtwängler) |
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