| J.S. BACH | ||||
| Suite n° 3 | ||||
| 156 | 22.X.1948 | BPO (Berliner Philharmonisches Orchester) | ||
| 158 | 24.X.1948 | BPO | ||
| Suite n° 3, Aria | ||||
| 4 | 13.VI.1929 | BPO | ||
| Brandenburgisches Konzert n° 3 | ||||
| 19 | 1930 | BPO | ||
| 254 | 31.VIII.1950 | WP (Wiener Philharmoniker) | ||
| Brandenburgisches Konzert n° 5 | ||||
| 62 | 21/22.XII.1940 | WP | ||
| 255 | 31.VIII.1950 | WP | ||
| Matthäus Passion | ||||
| 230 | 2.V.1950 | Orchestre Teatro Colon | ||
| 335 | 9.IV.1952 | WP (extraits) | ||
| 444 | 14/17.IV.1954 | WP | ||
| B. Bartok | ||||
| Concerto pour violon n° 2 | ||||
| 412 | 12/13.IX.1953 | Philharmonia Orchestra | ||
| L. van Beethoven | ||||
| Symphonie n° 1 | ||||
| 245 | 13.VII.1950 | Concertgebouw Orkest | ||
| 347 | 24/28.XI.1952 | WP | ||
| 349 | 30.XI.1952 | WP | ||
| 441 | 30.III.1954 | SO des Süddeutschen Rundfunks | ||
| 474 | 19.IX.1954 | BPO | ||
| Symphonie n° 2 | ||||
| 154 | 3.X.1948 | WP | ||
| Symphonie n° 3 | ||||
| 121 | 19.XII.1944 | WP | ||
| 146 | XI.1947 | WP | ||
| 243 | 20.VI.1950 | BPO | ||
| 256 | 31.VIII.1950 | WP | ||
| 315 | 19.I.1952 | RAI Roma | ||
| 348 | 26/27.XI.1952 | WP | ||
| 351 | 30.XI.1952 | WP | ||
| 356 | 7.XII.1952 | BPO | ||
| 359 | 8.XII.1952 | BPO | ||
| 404 | 26.VIII.1953 | Orchestre Festival de Lucerne | ||
| 411 | 4.IX.1953 | WP | ||
| Symphonie n° 4 | ||||
| 90 | 27/30.VI.1943 | BPO | ||
| 169 | 26/29.I.1949 | Philharmonie de Munich | ||
| 214 | 25/30.I.1950 | WP | ||
| 352 | 1/2.XII.1952 | WP | ||
| 410 | 4.IX.1953 | WP | ||
| Symphonie n° 5 | ||||
| 2 | 16 & 30.X.1926 | BPO | ||
| 46 | 7.X.1937 | BPO | ||
| 59 | 13.IX.1939 | BPO | ||
| 92 | 27/30.VI.1943 | BPO | ||
| 126 | 25.V.1947 | BPO | ||
| 128 | 27.V.1947 | BPO | ||
| 262 | 25.IX.1950 | WP | ||
| 264 | 1.X.1950 | WP | ||
| 312 | 10.I.1952 | RAI Roma | ||
| 424 | 28.II.1954 | WP | ||
| 453 | 4.V.1954 | BPO | ||
| 462 | 23.V.1954 | BPO | ||
| Symphonie n° 6 | ||||
| 105 | 22/23.XII.1943 | WP | ||
| 110 | 20/22.III.1944 | BPO | ||
| 125 | 25.V.1947 | BPO | ||
| 311 | 10.I.1952 | RAI Roma | ||
| 346 | 24/25.XI.1952 | WP | ||
| 458 | 15.V.1954 | BPO | ||
| 461 | 23.V.1954 | BPO | ||
| Symphonie n° 7 | ||||
| 95 | 31.X-3.XI.1943 | BPO | ||
| 165 | 13.XI.1948 | Philharmonie de Stockholm | ||
| 213 | 18/19.I.1950 | WP | ||
| 292 | 15.VIII.1951 | Orchestre Festival de Lucerne (répétition) | ||
| 371 | 14.IV.1953 | BPO | ||
| 473 | 30.VIII.1954 | WP | ||
| Symphonie n° 8 | ||||
| 163 | 13.XI.1948 | Philharmonie de Stockholm | ||
| 368 | 14.IV.1953 | BPO | ||
| 471 | 30.VIII.1954 | WP | ||
| Symphonie n° 9 | ||||
| 41 | 1.V.1937 | BPO | ||
| 71 | 22/24.III.1942 | BPO | ||
| 100 | 8.XII.1943 | Philharmonie de Stockholm | ||
| 189 | 28.V.1949 | Orchestre Scala de Milan | ||
| 267 | 6/10.I.1951 | WP | ||
| 288 | 29.VII.1951 | Orchestre Festival de Bayreuth | ||
| 296 | 31.VIII.1951 | WP | ||
| 320 | 3.II.1952 | WP | ||
| 378 | 31.V.1953 | WP | ||
| 466 | 8.VIII.1954 | Orchestre Festival de Bayreuth (répétition) | ||
| 467 | 9.VIII.1954 | Orchestre Festival de Bayreuth | ||
| 469 | 22.VIII.1954 | Philharmonia Orchestra | ||
| Concerto pour piano n° 1 | ||||
| 133 | 27.VIII.1947 | Orchestre Festival de Lucerne / Aeschbacher | ||
| Concerto pour piano n° 4 | ||||
| 94 | 31.X-3.XI.1943 | BPO / Hansen | ||
| 314 | 19.I.1952 | RAI Roma / Scarpini | ||
| Concerto pour piano n° 5 | ||||
| 274 | 19/20.II.1951 | Philharmonia Orchestra / Fischer | ||
| Concerto pour violon | ||||
| 106 | 9/12.I.1944 | BPO / Röhn | ||
| 136 | 28/29.VIII.1947 | Orchestre Festival de Lucerne / Menuhin | ||
| 142 | 30.IX.1947 | BPO / Menuhin | ||
| 365 | 7/8.IV.1953 | Philharmonia Orchestra / Menuhin | ||
| 376 | 18.V.1953 | BPO / Schneiderhan | ||
| Fidelio (Intégrale) | ||||
| 152 | 3.VIII.1948 | WP (Salzburg) | ||
| 195 | 3.VIII.1949 | WP (Salzburg) | ||
| 252 | 5/22.VIII.1950 | WP | ||
| 416 | 12.X.1953 | WP | ||
| 417 | 13/17.X.1953 | WP | ||
| Fidelio (extraits) | ||||
| 66 | 7.I.1942 | Opéra de Vienne | ||
| 76 | 4.XI.1942 | Opéra de Vienne | ||
| Quatuor n° 13, Cavatine | ||||
| 61 | 15.X.1940 | BPO | ||
| Leonore II | ||||
| 129 | 9.VI.1947 | Hamburger Philharmonisches Staatsorchester | ||
| 201 | 18.X.1949 | BPO | ||
| 237 | 11.VI.1950 | BPO (répétition) | ||
| 442 | 4/5.IV.1954 | BPO | ||
| Leonore III | ||||
| 114 | 2/3.VI.1944 | WP | ||
| 134 | 27.VIII.1947 | Orchestre Festival de Lucerne | ||
| 134 | 12.XI.1948 | Philharmonie de Stockholm (répétition) | ||
| 164 | 13.XI.1948 | Philharmonie de Stockholm | ||
| 246 | 13.VII.1950 | Concertgebouw Orkest | ||
| 326 | 3.III.1952 | RAI Torino | ||
| Egmont | ||||
| 26 | 1933 | BPO | ||
| 127 | 27.V.1947 | BPO | ||
| 153 | 24.VII.1948 | WP | ||
| 409 | 4.IX.1953 | WP | ||
| Coriolan | ||||
| 91 | 27/30.VI.1943 | BPO | ||
| 148 | 25.XI.1947 | WP | ||
| 305 | 29.X.1951 | WP | ||
| Grosse Fuge | ||||
| 321 | 10.II.1952 | BPO | ||
| 472 | 30.VIII.1954 | WP | ||
| Romance pour violon n° 1 | ||||
| 366 | 9.IV.1953 | Philharmonia Orchestra / Menuhin | ||
| Romance pour violon n° 2 | ||||
| 367 | 9.IV.1953 | Philharmonia Orchestra / Menuhin | ||
| H. Berlioz | ||||
| La Damnation de Faust (intégrale) | ||||
| 253 | 26 ou 27.VIII.1950 | Orchestre Festival de Lucerne | ||
| La Damnation de Faust, Marche Hongroise | ||||
| 16 | 1930 | BPO | ||
| 182 | 31.III.1949 | WP | ||
| 277 | IV.1951 | BPO | ||
| B. Blacher | ||||
| Concertante Musik | ||||
| 447 | 27.IV.1954 | BPO | ||
| J. Brahms | ||||
| Symphonie n° 1 | ||||
| 122 | 23.I.1945 | BPO (4ème mouvement) | ||
| 131 | 13.VIII.1947 | WP | ||
| 135 | 27.VIII.1947 | Orchestre Festival de Lucerne | ||
| 147 | 17/25.XI.1947 | WP | ||
| 247 | 13.VII.1950 | Concertgebouw Orkest | ||
| 304 | 27.X.1951 | NDR Hamburg | ||
| 319 | 27.I.1952 | WP | ||
| 324 | 10.II.1952 | BPO | ||
| 330 | 7.III.1952 | RAI Torino | ||
| 377 | 18.V.1953 | BPO | ||
| 436 | 21.III.1954 | Orchestre Symphonique du Venezuela | ||
| Symphonie n° 2 | ||||
| 124 | 28/29.I.1945 | WP | ||
| 140 | 16.IX.1947 | BPO (répétition) | ||
| 150 | 24/25.III.1948 | London Philharmonic Orchestra | ||
| 336 | 7.V.1952 | BPO | ||
| Symphonie n° 3 | ||||
| 205 | 18.XII.1949 | BPO | ||
| 278 | IV.1951 | BPO | ||
| 446 | 27.IV.1954 | BPO | ||
| 455 | 14.V.1954 | BPO | ||
| Symphonie n° 4 | ||||
| 103 | 12/15.XII.1943 | BPO | ||
| 157 | 22.X.1948 | BPO | ||
| 160 | 24.X.1948 | BPO | ||
| 192 | 10.VI.1949 | BPO | ||
| 251 | 15.VIII.1950 | WP | ||
| 299 | 21.X.1951 | WP | ||
| Ein deutsches Requiem | ||||
| 132 | 20.VIII.1947 | Orchestre Festival de Lucerne (Schwarzkopf, Hotter) | ||
| 166 | 19.XI.1948 | Philharmonie de Stockholm (Sönnerstedt, Lindberg-Torlind) | ||
| 273 | 25.I.1951 | WP (Seefried, Fischer-Dieskau) | ||
| Concerto pour violon | ||||
| 200 | 29/31.VIII.1949 | Orchestre Festival de Lucerne / Menuhin | ||
| 329 | 7.III.1952 | RAI Torino / De Vito | ||
| Double concerto pour violon et violoncelle | ||||
| 198 | 24.VIII.1949 | Orchestre Festival de Lucerne (Schneiderhan, Mainardi) | ||
| 318 | 27.I.1952 | WP (Boskowsky, Brabec) | ||
| Concerto pour piano n° 2 | ||||
| 77 | 8/9.XI.1942 | BPO / Fischer | ||
| 102 | 12/15.XII.1943 | BPO / Aeschbacher | ||
| Variationen über ein Thema von Haydn | ||||
| 101 | 12/15.XII.1943 | BPO | ||
| 104 | 18/23.XII.1943 | WP | ||
| 180 | 30.III-2.IV.1949 | WP | ||
| 241 | 20.VI.1950 | BPO | ||
| 303 | 27.X.1951 | NDR Hamburg | ||
| 317 | 27.I.1952 | WP | ||
| 451 | 4.V.1954 | BPO | ||
| Danse hongroise n° 1 | ||||
| 7 | VIII.1929 | BPO | ||
| 21 | 1930 | BPO | ||
| 187 | 4.IV.1949 | WP | ||
| Danse hongroise n° 3 | ||||
| 185 | 4.IV.1949 | WP | ||
| Danse hongroise n° 10 | ||||
| 22 | 1930 | BPO | ||
| 186 | 4.IV.1949 | WP | ||
| A. Bruckner | ||||
| Symphonie n° 4 | ||||
| 64 | 14/16.XII.1941 | BPO (extraits) | ||
| 300 | 22.X.1951 | WP | ||
| 307 | 29.X.1951 | WP | ||
| Symphonie n° 5 | ||||
| 73 | 25/28.X.1942 | BPO | ||
| 295 | 19.VIII.1951 | WP | ||
| Symphonie n° 6 | ||||
| 98 | 13/16.XI.1943 | BPO (incomplet) | ||
| Symphonie n° 7 | ||||
| 63 | 2.II.1941 | BPO (extraits) | ||
| 72 | 1.IV.1942 | BPO (adagio) | ||
| 203 | 18.X.1949 | BPO | ||
| 279 | 23.IV.1951 | BPO | ||
| 284 | 1.V.1951 | BPO | ||
| Symphonie n° 8 | ||||
| 119 | 17.X.1944 | WP | ||
| 177 | 14.III.1949 | BPO | ||
| 178 | 15.III.1949 | BPO | ||
| 443 | 10.IV.1954 | WP | ||
| Symphonie n° 9 | ||||
| 117 | 7.X.1944 | BPO | ||
| J. M. Castro | ||||
| Obertura para una opera comica | ||||
| 231 | 5.V.1950 | Orchestre Teatro Colon | ||
| L. Cherubini | ||||
| Anacreon | ||||
| 268 | 11.I.1951 | WP | ||
| C. Debussy | ||||
| Deux nocturnes | ||||
| 285 | 1.V.1951 | BPO | ||
| A. Dvorak | ||||
| Danse slave n° 3 | ||||
| 18 | 1930 | BPO | ||
| W. Fortner | ||||
| Concerto pour violon | ||||
| 206 | 18.XII.1949 | BPO / Taschner | ||
| C. Franck | ||||
| Symphonie en ré mineur | ||||
| 123 | 28.I.1945 | WP | ||
| 423 | 14/15.XII.1953 | WP | ||
| W. Furtwängler | ||||
| Symphonisches Konzert für Klavier und Orchester | ||||
| 56 | 19.I.1939 | BPO / Fischer | ||
| 57 | 25.IV.1939 | BPO / Fischer (2ème mouvement) | ||
| Symphonie n° 2 | ||||
| 149 | 22.II.1948 | BPO (répétition) | ||
| 155 | 18.X.1948 | WP | ||
| 310 | 22.XI-4.XII.1951 | BPO | ||
| 361 | 15.XII.1952 | SO des Hessichen Rundfunks | ||
| 362 | 15.I.1953 | BPO | ||
| 364 | 22.II.1953 | WP | ||
| 439 | 30.III.1954 | SO des Süddeutschen Rundfunks | ||
| C.W. Gluck | ||||
| Alceste | ||||
| 75 | 28.X.1942 | BPO | ||
| 297 & 298 | 4/5.IX.1951 | BPO | ||
| 432 | 8.III.1954 | WP | ||
| Iphigénie en Aulide | ||||
| 360 | 15.XII.1952 | SO des Hessischen Rundfunks | ||
| 363 | 22.II.1953 | WP | ||
| 433 | 8.III.1954 | WP | ||
| Orphée et Eurydice (intégrale) | ||||
| 276 | 13.IV.1951 | Scala de Milan | ||
| G.F. Haendel | ||||
| Concerto grosso n° 10 | ||||
| 109 | 7/8.II.1944 | BPO | ||
| 229 | 23.IV.1950 | Orchestre Teatro Colon | ||
| 435 | 21.III.1954 | Orchestre Symphonique du Venezuela | ||
| Concerto grosso n° 11 | ||||
| 209 | 8/10.I.1950 | Philharmonie de Munich | ||
| 445 | 27.IV.1954 | BPO | ||
| Concerto grosso n° 16 | ||||
| 240 | 20.VI.1950 | BPO | ||
| Concerto Grosso n° 5 | ||||
| 58 | 13.IX.1939 | BPO | ||
| J. Haydn | ||||
| Symphonie n° 98 | ||||
| 301 | 22.X.1951 | WP | ||
| 308 | 4/5.XII.1951 | BPO | ||
| 325 | 3.III.1952 | RAI Torino | ||
| Symphonie n° 94 | ||||
| 259 | 25.IX.1950 | WP | ||
| 269 | 11/17.I.1951 | WP | ||
| Symphonie n° 104 | ||||
| 228 | 14.IV.1950 | Orchestre Teatro Colon | ||
| P. Hindemith | ||||
| Konzertstück | ||||
| 23 | 28.III.1930 | BPO | ||
| Sinfonische Metamorphosen | ||||
| 138 | 16.IX.1947 | BPO | ||
| Konzert für Orchester | ||||
| 242 | 20.VI.1950 | BPO | ||
| 280 | IV.1951 | BPO | ||
| Die Harmonie der Welt | ||||
| 355 | 7.XII.1952 | BPO | ||
| 358 | 8.XII.1952 | BPO | ||
| 407 | 30.VIII.1953 | WP | ||
| K. Höller | ||||
| Concerto pour violoncelle n° 2 | ||||
| 202 | 18.X.1949 | BPO / Hoelscher | ||
| A. Honegger | ||||
| Mouvement Symphonique n° 3 | ||||
| 322 | 10.II.1952 | BPO | ||
| F. Liszt | ||||
| Les Préludes | ||||
| 428 | 3.III.1954 | WP | ||
| G. Mahler | ||||
| Lieder eines fahrenden Gesellen | ||||
| 294 | 19.VIII.1951 | WP / Fischer-Diskau | ||
| 345 | 24/25.VI.1952 | Philharmonia Orchestra / Fischer-Dieskau | ||
| 350 | 30.XI.1952 | WP / Poell | ||
| F. Mendelssohn | ||||
| Die Hebriden | ||||
| 14 & 15 | 1930 | BPO | ||
| 167 | 7.XII.1948 | WP | ||
| 172 | 15.II.1949 | WP | ||
| 293 | 19.VIII.1951 | WP | ||
| Concerto pour violon | ||||
| 333 | 11.III.1952 | RAI Torino / De Vito | ||
| 337 | 26.V.1952 | BPO / Menuhin | ||
| Ein Sommernachtstraum | ||||
| 3 | 13.VI.1929 | BPO | ||
| 141 | 30.IX.1947 | BPO | ||
| W.A. Mozart | ||||
| Le nozze di Figaro | ||||
| 27 | 1933 | BPO (ouverture) | ||
| 380 | 11.VIII.1953 | Salzburg (Intégrale) | ||
| Die Entführung aus dem Serail | ||||
| 28 | 1933 | BPO (Ouverture) | ||
| Don Giovanni | ||||
| 248 | 27.VII.1950 | Salzburg | ||
| 249 | Juillet-août 1950 | Salzburg | ||
| 379 | 27.VII.1953 | Salzburg | ||
| 465 | 3.VIII.1954 | Salzburg | ||
| 468 | 20.VIII.1954 | Salzburg (film) | ||
| Die Zauberflöte | ||||
| 194 | 27.VII.1949 | Salzburg | ||
| 223 | 3.II.1950 | Salzburg (2 airs par W. Lipp) | ||
| 289 | 6.VIII.1951 | Salzburg | ||
| Sérénade n° 10 | ||||
| 145 | Nov.-Déc. 1947 | WP | ||
| Sérénade n° 13 | ||||
| 39 | 28.XII.1936 | BPO | ||
| 183 | 1.IV.1949 | WP | ||
| Symphonie n° 39 | ||||
| 108 | 7.II.1944 | BPO | ||
| 118 | 7.X.1944 | BPO | ||
| Symphonie n° 40 | ||||
| 115 | 2/3.VI.1944 | WP | ||
| 168 | 7/8.XII.1948 | WP | ||
| 171 | 8.II.1949 | WP | ||
| 191 | 10.VI.1949 | BPO | ||
| Concerto pour piano n° 22 | ||||
| 316 | 25.I.1952 | WP / Badura-Skoda | ||
| Concerto pour piano n° 10 | ||||
| 170 | 8.II.1949 | WP / Bella, Badura-Skoda | ||
| Concerto pour piano n° 20 | ||||
| 459 | 15.V.1954 | BPO / Lefebure | ||
| O. Nicolai | ||||
| Die lustigen Weiber von Windsor | ||||
| 270 | 18.I.1951 | WP (Ouverture) | ||
| E. Pepping | ||||
| Symphonie n° 2 | ||||
| 96 | 31.X-3.XI.1943 | BPO | ||
| H. Pfitzner | ||||
| Palestrina, préludes | ||||
| 190 | 10.VI.1949 | BPO | ||
| Symphonie op. 46 | ||||
| 196 | 7.VIII.1949 | WP | ||
| M. Ravel | ||||
| Daphnis et Chloë, Suites 1 et 2 | ||||
| 112 & 113 | 20/22.III.1944 | BPO | ||
| Valses nobles et sentimentales | ||||
| 372 | 16.IV.1953 | BPO (avec répétition) | ||
| Rapsodie espagnole | ||||
| 302 | 22.X.1951 | BP | ||
| 327 | 3.III.1952 | RAI Torino | ||
| G. Rossini | ||||
| Il barbiere di Siviglia | ||||
| 29 | 1935 | BPO (ouverture) | ||
| La gazza ladra | ||||
| 20 | 1930 | BPO | ||
| F. Schubert | ||||
| Rosamunde (ouverture) | ||||
| 11 | 1930 | BPO | ||
| 265 | 3.I.1951 | WP | ||
| 331 | 11.III.1952 | RAI Torino | ||
| 413 | 15.IX.1953 | BPO | ||
| Rosamunde, musique de ballet n° 2 | ||||
| 5 | 13.VI.1929 | BPO | ||
| 220 | 2. II.1950 | WP | ||
| Rosamunde, Entracte n° 3 | ||||
| 6 | 13.VI.1929 | BPO | ||
| 116 | 2/3.VI.1944 | WP | ||
| 221 | 2.II.1950 | WP | ||
| Rosamunde, extraits | ||||
| 232 | 5.V.1950 | Orchestre Teatro Colon | ||
| Symphonie n° 8 | ||||
| 87 | 12.V.1943 | WP (incomplet) | ||
| 120 | 12.XII.1944 | BPO | ||
| 159 | 24.X.1948 | BPO | ||
| 210 | 19/21.I.1950 | WP | ||
| 263 | 1.X.1950 | WP | ||
| 323 | 10.II.1952 | BPO | ||
| 326 | 11.III.1952 | RAI Torino | ||
| 414 | 15.IX.1953 | BPO | ||
| 452 | 4.V.1954 | BPO | ||
| Symphonie n° 9 | ||||
| 82 | 6/8.XII.1942 | BPO | ||
| 88 | 12.V.1943 | WP | ||
| 239 | 18.VI.1950 | BPO | ||
| 309 | 27/28.XI-2/4.XII.1951 | BPO | ||
| 408 | 30.VIII.1953 | WP | ||
| 415 | 15.IX.1953 | BPO | ||
| H. Schubert | ||||
| Hymnisches Konzert | ||||
| 83 | 6/8.XII.1942 | BPO / Berger, Ludwig | ||
| R. Schumann | ||||
| Symphonie n° 1 | ||||
| 306 | 29.X.1951 | WP | ||
| Symphonie n° 4 | ||||
| 374 | 14.V.1953 | BPO | ||
| 403 | 26.VIII.1953 | Orchestre du Festival de Lucerne | ||
| Concerto pour piano | ||||
| 70 | 1/3.III.1942 | BPO / Gieseking | ||
| Concerto pour violoncelle | ||||
| 74 | 25/28.X.1942 | BPO / Machula | ||
| 99 | 13/16.XI.1943 | BPO / Fournier (incomplet) | ||
| Manfred (ouverture) | ||||
| 204 | 18.XII.1949 | BPO | ||
| 272 | 24/25.I.1951 | WP | ||
| J. Sibelius | ||||
| En Saga | ||||
| 86 | 7/8.II.1943 | BPO | ||
| 260 | 25.IX.1950 | WP | ||
| Concerto pour violon | ||||
| 85 | 7/8.II.1943 | BPO / Kulenkampff | ||
| B. Smetana | ||||
| La Moldau | ||||
| 271 | 24.I.1951 | WP | ||
| J. Strauss | ||||
| Die Fledermaus (ouverture) | ||||
| 40 | 28.XII.1936 | BPO | ||
| Pizzicato polka | ||||
| 222 | 3.II.1950 | WP | ||
| Kaiserwalzer | ||||
| 89 | 12.V.1943 | WP (incomplet) | ||
| 212 | 24.I.1950 | WP | ||
| R. Strauss | ||||
| Don Juan | ||||
| 67 | 15.II.1942 | BPO | ||
| 79 | 25.XI.1942 | Philharmonie de Stockholm | ||
| 139 | 16.IX.1947 | BPO | ||
| 261 | 25.IX.1950 | WP | ||
| 286 | 1.V.1951 | BPO | ||
| 426 | 2/3.III.1943 | WP | ||
| 437 | 21.III.1954 | Orchestre Symphonique du Venezuela | ||
| 448 | 27.IV.1954 | BPO | ||
| Till Eulenspiegels lustige Streiche | ||||
| 12 & 13 | 1930 | BPO (avec répétition) | ||
| 97 | 13/16.XI.1943 | BPO | ||
| 369 | 14.IV.1953 | BPO | ||
| 427 | 3.III.1954 | WP | ||
| 456 | 14.V.1954 | BPO | ||
| 460 | 15.V.1954 | BPO | ||
| Metamorphosen | ||||
| 144 | 27.X.1947 | BPO | ||
| Vier letzte Lieder | ||||
| 233 | 22.V.1950 | Philharmonia Orchestra / Flagstad | ||
| Sinfonia domestica | ||||
| 107 | 9/12.I.1944 | BPO | ||
| Tod und Verklärung | ||||
| 130 | 9.VI.1947 | Hamburger Philharmonisches Staatsorchester | ||
| 211 | 21/24.I.1950 | WP | ||
| 328 | 3.III.1952 | RAI Torino | ||
| 4 lieder | ||||
| 68 | 15.II.1942 | BPO / Anders | ||
| I. Strawinsky | ||||
| Symphonie en trois mouvements | ||||
| 250 | 15.VIII.1950 | WP | ||
| Le baiser de la fée | ||||
| 375 | 18.V.1953 | BPO | ||
| P. Tchaïkowsky | ||||
| Symphonie n° 4 | ||||
| 266 | 4/16.I.1951 | WP | ||
| Symphonie n° 5 | ||||
| 342 | 6.VI.1952 | RAI Torino | ||
| Symphonie n° 6 | ||||
| 55 | 25/27.X.1938 | BPO | ||
| 281 | IV.1951 | BPO | ||
| Sérénade pour cordes | ||||
| 218 & 219 | 2.II.1950 | WP (valse et finale) | ||
| G. Verdi | ||||
| Othello (intégrale) | ||||
| 290 | 7.VIII.1951 | Salzburg | ||
| R. Wagner | ||||
| Lohengrin (prélude) | ||||
| 8 | 1930 | BPO | ||
| 137 | 30.VIII.1947 | Orchestre Festival de Lucerne | ||
| 199 | 29.VIII.1949 | Orchestre Festival de Lucerne | ||
| 429 | 4.III.1954 | WP | ||
| Lohengrin (extraits) | ||||
| 38 | 19.VII.1936 | Bayreuth | ||
| Götterdämmerung (intégrale) | ||||
| 227 | IV.1950 | Scala de Milan | ||
| 421 | XI.1953 | RAI Roma | ||
| Götterdämmerung (extraits) | ||||
| 45 | 1.VI.1937 | Covent Garden | ||
| 53 | 7.VI.1938 | Covent Garden | ||
| 338 | 31.V.1952 | RAI Roma (acte III) | ||
| Götterdämmerung (Trauermusik) | ||||
| 25 | 1933 | BPO | ||
| 175 | 23.II.1949 | WP | ||
| 207 | 19.XII.1949 | BPO | ||
| 215 | 31.I.1950 | WP | ||
| 425 | 2.III.1954 | WP | ||
| Götterdämmerung (Siegfrieds Rheinfahrt) | ||||
| 175 | 23.II.1949 | WP | ||
| 235 | 22.V.1950 | Philharmonia Orchestra | ||
| 341 | 6.VI.1952 | RAI Torino | ||
| 434 | 8.III.1954 | WP | ||
| Götterdämmerung ("Starke Scheite schichtet mir dort") | ||||
| 151 | 26.III.1948 | Philharmonia Orchestra / Flagstad | ||
| 236 | 22.V.1950 | Philharmonia Orchestra / Flagstad | ||
| 344 | 23.VI.1952 | Philharmonia Orchestra / Flagstad | ||
| Tannhäuser (ouverture) | ||||
| 174 | 17.II.1949 | WP | ||
| 287 | 1.V.1951 | BPO | ||
| 353 | 2/3.XII.1952 | WP | ||
| 438 | 21.III.1954 | Orchestre Symphonique du Venezuela | ||
| Tannhäuser (extraits) | ||||
| 32 & 33 | 13.X.1935 | Opéra de Vienne | ||
| 34 | 15.X.1935 | Opéra de Vienne | ||
| 35 & 36 | 18.X.1935 | Opéra de Vienne | ||
| 37 | 9.I.1936 | Opéra de Vienne | ||
| Die Walküre (intégrale) | ||||
| 225 | III.1950 | Scala de Milan | ||
| 419 | XI-XII.1953 | RAI Roma | ||
| 476 | IX-X.1954 | WP | ||
| Die Walküre (extraits) | ||||
| 43 | 26.V.1937 | Covent Garden (Acte III) | ||
| 52 | 1.VI.1938 | Covent Garden (Acte II, scène I) | ||
| 60 | 29.XI.1939 | Opéra de Vienne | ||
| 313 | 14.I.1952 | RAI Roma (Acte I) | ||
| Die Walküre, Walkürenritt | ||||
| 181 | 31.III.1949 | WP | ||
| Der Rheingold (intégrale) | ||||
| 224 | III.1950 | Scala de Milan | ||
| 418 | 26.X.1953 | RAI Roma | ||
| Der Rheingold (extraits) | ||||
| 42 | 24.V.1937 | Covent Garden | ||
| Siegfried (intégrale) | ||||
| 226 | III.1950 | Scala de Milan | ||
| 420 | XI.1953 | RAI Roma | ||
| Siegfried (extraits) | ||||
| 44 | 28.V.1937 | Covent Garden | ||
| Tristan und Isolde (intégrale) | ||||
| 343 | 10/22.VI.1952 | Philharmonia Orchestra | ||
| Tristan und Isolde (Vorspiel und Isoldes Liebestod) | ||||
| 9 & 10 | 1930 | BPO | ||
| 48 & 49 | 11.II.1938 | BPO | ||
| 78 | 8/9.XI.1942 | BPO | ||
| 80 & 81 | 25.XI.1942 | Philharmonie de Stockholm | ||
| 234 | 22.V.1950 | Philharmonia Orchestra | ||
| 334 | 11.III.1952 | RAI Torino | ||
| 449 | 27.IV.1954 | BPO | ||
| 457 | 14.V.1954 | BPO | ||
| Tristan und Isolde (extraits) | ||||
| 65 | 25.XII.1941 | Opéra de Vienne | ||
| 84 | 2.I.1943 | Opéra de Vienne | ||
| 143 | 3.X.1947 | Staatskapelle Berlin (Actes II et III) | ||
| Die Meistersinger von Nürnberg (intégrale) | ||||
| 93 | 15.VII.1943 | Bayreuth | ||
| Die Meistersinger von Nürnberg (Prélude Acte I) | ||||
| 69 | 26.II.1942 | BPO | ||
| 184 | 1/4.IV.1949 | WP | ||
| 208 | 19.XII.1949 | BPO | ||
| Die Meistersinger von Nürnberg (Prélude Acte III) | ||||
| 216 | 1.II.1950 | WP | ||
| Die Meistersinger von Nürnberg (Tanz der Lehrbuben) | ||||
| 188 | 4.IV.1949 | WP | ||
| Die Meistersinger von Nürnberg (extraits) | ||||
| 47 | 25.XI.1937 | Opéra de Vienne | ||
| 54 | 5.IX.1938 | WP à Nuremberg (incomplet) | ||
| Parsifal (prélude) | ||||
| 50 | 15.III.1938 | BPO | ||
| Parsifal (Karfreitagszauber) | ||||
| 51 | 15.III.1938 | BPO | ||
| 282 | 25.IV.1951 | BPO | ||
| Siegfried Idyll | ||||
| 173 | 16/17.II.1949 | WP | ||
| 340 | 6.VI.1952 | RAI Torino | ||
| Der fliegende Holländer (ouverture) | ||||
| 179 | 30/31.III.1949 | WP | ||
| 339 | 6.VI.1952 | RAI Torino | ||
| C.M. von Weber | ||||
| Der Freischüz (intégrale) | ||||
| 463 | 26.VII.1954 | Salzburg | ||
| Der Freischütz (ouverture) | ||||
| 1 | 16 & 30.X.1926 | BPO | ||
| 30 | 1935 | BPO | ||
| 111 | 20/22.III.1944 | BPO | ||
| 283 | 20.IV.1951 | BPO | ||
| 354 | 7.XII.1952 | BPO | ||
| 357 | 8.XII.1952 | BPO | ||
| 430 | 5/6.III.1954 | WP | ||
| Der Freischütz (prélude acte III) | ||||
| 31 | 1935 | BPO | ||
| Aufforderung zum Tanz | ||||
| 24 | 1932 | BPO | ||
| Euryanthe (ouverture) | ||||
| 431 | 6.III.1954 | WP | ||
| 450 | 4.V.1954 | BPO | ||
| 454 | 14.V.1954 | BPO | ||
| Oberon (ouverture) | ||||
| 217 | 1.II.1950 | WP | ||
| H. Wolf | ||||
| 22 Lieder | ||||
| 381-402 | 12.VIII.1953 | Salzburg (Schwarzkopf et Furtwängler) | ||
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